bookwyrmbound:

The (Tarnished) Silmarillion

Full-leather fine binding of J.R.R. Tolkien’s Silmarillion. The Two Trees are surface-gilt on the cover in metals that will tarnish, so over time the book will literally reenact their destruction. However the one fruit and flower that became the sun and moon are surface-gilt in gold and palladium, and will stay bright.

The edge decoration, sprinkled gilt and palladium over gouache, depicts the fate of the silmarils: “one in the airs of heaven, and one in the fires of the heart of the world, and one in the deep waters.”

The titling is done in palladium with finishing tools that I made myself, because I couldn’t pass up the chance to use Feanorean letters to title the book where Feanor is one of the central characters.

(longer post about the binding here, written when I originally bound it)

(via piratejenne)

video-game-foliage:

Foliage as structure without color.

The game is serious about limiting the color usage, to the point that all the plants are made in white. What’s impressive about it is that it never once struck me as odd, until I saw these photos.

Thanks to arcturusdeluxe for submitting the shots. They write:

These white trees from Mirror’s Edge (2008) always intrigued me.  The city planners in that world must be pretty intense if they’re genetically modifying/painting the trees to match the decor.

Considering the army of unseen robots they must have scrubbing the city clean, I’m sure that kind of genetic manipulation is simple enough.

Mirror’s Edge (2008)

occultgraffiti:

Occult graffiti in nyc

occultgraffiti:

Occult graffiti in nyc

(via 3liza)

People think that abandoning belief in progress, abandoning the belief that if we try hard enough we can fix this mess, is a nihilistic position,” Hine said. “They think we’re saying: ‘Screw it. Nothing matters.’ But in fact all we’re saying is: ‘Let’s not pretend we’re not feeling despair. Let’s sit with it for a while. Let’s be honest with ourselves and with each other. And then as our eyes adjust to the darkness, what do we start to notice?’

The  New York Times Weekend Magazine features a good long read about Paul Kingsnorth and Dougald Hine’s shifting perception of climate change from being a “problem” to a “predicament.” It’s a paradigm shift that many find troubling in its blunt appraisal of the human predicament. (via joespub)

when you’re sound designing a show

and you keep using obscure classical pieces

with titles that would be oddly specific puns

if only anyone were able to identify them.

Be Careful When You Stand Upside Down

mckelvie:

itscarororo:

*salivates*

what

TREEHOUSES!

(Source: tearingdowndoors)

valkubus:

mycroftsbooty:

shslspookyscary:

adropofred:

comment s’appelle un chien qui vend des médicaments?

un pharmachien

why the fuck is this joke in french and why there is 26k notes am i missing something important

something really important

what do you call a dog that sells drugs?

a pharmacy

yeah it’s really only funny in french

I have no idea why I’m reblogging this.

(via somethingruthless)

epcotexplorer:

50 YEARS OF PROGRESS 

Today, 50 years ago, the New York World’s Fair of 1964 opened its gates and dazzled the world with an array of experiences and exhibits that encapsulated not only the zenith for themed exhibitions, but the frenetic culture of America in the 1960s. 

Imbued with a sense of optimism, technical artistry, and corporate might, the 1964 World’s Fair remains as a watershed moment for pinpointing our place in the 20th century’s politics and scientific achievements. 

There is a sense of history about the fair for the story of Disney, too. Four Disney designed attractions debuted on April 22: it’s a small world, GE’s Progressland pavilion, Great Moments with Mr. Lincoln, and Ford’s Magic SkyWay. 

it’s a small world has enjoyed 50 years of operation, at all 5 Disney resorts around the world. Mary Blair’s iconic style is now synonymous with Disney’s name and is a hallmark of the warm and evocative spirit that Disney seeks to further. The Sherman brother’s prayer for peace is now an anthem sung around the world.

The Carousel of Progress still spins on in the Magic Kingdom, a touchstone for the values and mainstays of Walt Disney’s personal touch and legacy. The Carousel of Progress’ influence in EPCOT’s Future World remains readily apparent and relevant. 

Great Moments with Mr. Lincoln enjoys a place of prominence on Disneyland’s Main Street, USA, boasting patriotic pathos and a tie to both the thematic and the historical past of the United States. 

And, the Magic SkyWay, though not totally intact, still has vestiges of its grandeur in the Primeval World along the Disneyland Railroad and EPCOT’s Universe of Energy. 

But, what is really remarkable about the New York World’s Fair is how much it altered things for Walt Disney and WED Enterprises. It was at the 1964 Fair that Walt Disney began to see the possibility for an ‘East Coast Disneyland’, sparking the development of what would become Walt Disney World. And in turn, EPCOT City, the centerpiece of the Florida Project was borne out of the corporate and industrial alliances that the Disney organization made at the World’s Fair.  Beyond the expansion of property and venue, though, the technology at the World’s Fair advanced Disney’s thematic prowess. Full size Audio Animatronics came into prominence in Great Moments with Mr. Lincoln and the Carousel of Progress. The flume used in it’s a small world was seen as a viable conveyance for use in Pirates of the Caribbean. And Ford’s SkyWay was the precursor to the Peoplemover and the Omnimover systems.  In the course of two to three years, Disney’s involvement in the New York World’s Fair had set them on an astronomical trajectory to new heights of art and illusion. 

Happy 50th, New York World’s Fair. 

Throughout the day, I’ll be reblogging and uploading some of my favorite posts on the NYWF and it’s accomplishments. Stay tuned. 

       

(via waltdisneydoingfunnythings)